Her work combines sub-bass composition, spoken word, field recordings and cinematic sound design to create environments that feel as much experienced as heard. Rather than treating music as a finished object, she approaches it as a space for reflection, intimacy and quiet transformation.

Her debut EP, DATURA 01 (Random Artefacts, 2025), emerged from a year marked by grief, loss and self-confrontation. The record became an act of renewal, exploring endurance, tenderness and the courage to remain open. Between 2024 and 2025, Quasimodo toured Asia with the release, performing in listening bars, record stores and intimate venues while undertaking a self-directed research journey across Japan and China. It was during this period that she began developing DATURA 02, drawing on Nüshu, an ancient women's writing system from rural Hunan, to explore the relationship between language, sound and emotional memory.

Every visual element, from artwork and films to live visuals, is conceived and directed by Quasimodo, forming a cohesive audiovisual world across sound, moving image and performance.

Recent work includes an original score commission for Factory International, support from BBC Radio 6 Music presenters Jamz Supernova and Jess Iszatt, a residency at FOLD, and performances at Tate Modern Lates. Alongside her artistic practice, she founded Random Artefacts, an evolving research platform exploring culture, sound and speculative world-building through long-form writing and cultural critique.