Suki Quasimodo (b. Singapore) is the sonic alias of artist and writer Pamm Hong, a London-based experimental electronic musician whose practice moves between sound, moving image, and cultural research.

Working across these mediums, she explores tenderness in a restless world—blending ambient textures, sub-bass, and spoken word into immersive compositions that feel both cinematic and intimate. Influenced by artists such as Mica Levi, Space Afrika, and FKA twigs, her work bridges club culture and ambient cinema, blurring emotion and architecture through sound.

Her debut EP, DATURA 01 (Random Artefacts, 2025), emerged from a year marked by grief, loss, and self-confrontation. The record became an act of renewal—an exploration of endurance, softness, and the courage to stay open. Between 2024 and 2025, Quasimodo toured Asia with the release, performing in listening bars, record stores, and intimate venues while developing a self-directed residency and research journey through Japan and China. During this period she began writing DATURA 02 and studying Nüshu, an ancient female writing system from rural Hunan, examining how language, sound, and emotional memory intertwine.

Every visual and moving-image element—from artwork to live visuals—is conceived, directed, and crafted by Quasimodo herself, forming a cohesive world built entirely by hand. She is also the founder of Random Artefacts, a studio and Substack that functions as a living research journal—part essay archive, part dispatch log—exploring systems, softness, sound, and survival through long-form writing and cultural critique.

Quasimodo lives and works in London.